We are all very excited about this week’s posting: the newly discovered tapes of Tribute to the Love Generation in Tokyo 2001 where In Cahoots played two great concerts on the 8th and 9th of December. The band were in tip top form and the music was at it’s best with a brand new set list. Everyone played really well and to top it all it was brilliantly recorded by one of Phil’s greatest friends: the inspired sound engineer Benj LeFevre. We decided to post both these superb concerts together and also updated the video of this event with the new sound track. So here it is in all it’s glory. Enjoy!
“Recorded on the eve of the band studio sessions for “Cutting Both Ways“, these are live-in-the-studio performances of the music Phil had recently written with the aid of a bursary from the Arts Council, specially recorded for the BBC’s Jazz Today programme…“
“These solo demos were recorded by Phil using a Fostex 4-track cassette recorder in 1984/85. Obviously the intention was to help the other members of In Cahoots get the feel of each piece, along with the score, rather than a finished product anyone outside that close circle was supposed to ever hear. But this is a fascinating listen for anyone who likes Phil’s music and, particularly, his wonderful multi-layered guitar playing…”
A very nice DAT recording of In Cahoots’ only gig of 1994, a release party of sorts for the “Recent Discoveries” album recorded the previous year, and which provides a very large chunk of the setlist here, along with a few older pieces including the perennial “Second Sight” to close proceedings. A really nice document of that line-up.
“We’ve had two early performances by this band (originally known as Hugh Hopper & Special Friends) from 1991 on this site. Three years on, with the “Live” CD (actually a mixture of studio and live recordings) coming out in the meantime, the repertoire was still largely unchanged here, and in fact Short Wave’s activities came to an end by 1996…”
“This excellent soundboard recording documents the first In Cahoots tour with Steve Franklin on keyboards, but still with Hugh Hopper on bass – a line-up that remains undocumented on any official release…”